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:''For other meanings see History (disambiguation)''. History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's ''Edward IV'', Schiller's ''Mary Stuart'' or the Dutch genre ''Gijsbrecht van Aemstel''.a ==Precursors== Plays with some connection to historic narratives date to the beginnings of Athenian theatre. For one, although many early Greek plays covered subjects that modern audiences consider myth (rather than history), the Greeks did not make such a distinction, incorporating their stories of their gods into the same overarching narrative that included stories of their kings. Furthermore, the earliest surviving work of theatre, ''The Persians'' records an event that was entirely historical, even under the modern understanding of history. A key difference between ''The Persians'' and a history play in the modern sense is the incorporation of supernatural elements into the narrative of the Salamis. Additionally, it primarily dramatizes the Persian reaction to the battle, information that would have been at best a secondary concern for the Greek historian. Thus, although it concerns a verifiable historic event, it differs substantially from the modern genre of "history plays" in that it doesn't conform to the modern understanding of history (by presenting unvarifiable supernatural elements as fact) and in that its goals didn't entirely parallel those of ancient Greek historians.〔 A significant development in the evolution of the history play occurred during the Middle Ages with the rise of mystery plays. Theatre in the Middle Ages arose from traditions surrounding the mass, a ritual that, due to the orthodox theological position that the eucharistic sacrifice reenacts (and even recreates) the sacrifice on the cross, has profound similarities to theatre (and to the types of rituals that gave rise to theatre in ancient Athens). While the regular Sunday liturgy was like theatre, the traditions that evolved around the Easter service ''were'' theatre. Specifically the "Quem quaeritis?", explicitly involved the portrayal of characters by the priest and the acolyte. With this as a starting point, medieval theatre makers began crafting other plays detailing the religious narratives of Christianity. Plays about saints, especially local saints, were particularly popular in England. These plays conformed to the goals of contemporary historians, often closely paralleling "Lives of the Saints" books. They are generally not included in the modern understanding of history plays, however, because they differ significantly from the modern understanding of history by unquestioningly including supernatural phenomena as key elements. The final step in the origin of the modern history play, therefore, would require, as a prerequisit, the evolution of the modern understanding of history. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「History (theatrical genre)」の詳細全文を読む スポンサード リンク
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